Profile

Producers are expected to have ideas. And they should be able to develop these ideas. They should be able to find exceptional talent, recognise artistic contexts and drive them forward creatively. They must intervene artistically and creatively, they should recognise social changes and the zeitgeist, they must be able to organise and, last but not least, take on economic responsibility for people and projects.

We meet the national and international requirements for different types of producers by offering a wide range of programmes, such as various specialisations in project studies.

We are looking for students who are interested in the media industry, who are interested in all its facets and who are enthusiastic about it. After graduating from FABW, they will have the opportunity to enter a profession in which they can accompany creative processes from the initial idea through to completion and marketing.

Studying production at FABW means benefiting from a versatile and market-orientated education.

  • ENTRY LEVEL Undergraduate study programme
  • STUDY START Winter semester
  • STANDARD PERIOD
    OF STUDY
    Undergraduate study programme:
    8 Semesters

    plus
    1 Diploma semester
  • TYPE OF STUDY
    PROGRAMME
    Full-time attendance programme
  • FINAL DEGREE Diploma from Filmakademie Baden-Wuerttemberg
  • STUDY LANGUAGE German in undergraduate studies
    German & English in graduate studies
  • TUITION FEES Undergraduate study programme:
    0 € (first course of studies)
    650 € (second course of studies)
    1.500€ (non-EU citizens)

    Graduate study programme (lateral entry)
    650 € (second course of studies)
    1.500€ (non-EU citizens)

APPLICATION

You can find detailed information on the application process and the entrance exam here. We look forward to receiving your submission!

Application deadline: 15 February

Before and after your studies

WHAT SOFT SKILLS SHOUD I BRING WITH ME?

  • creativity, curiosity and an interest in stories
  • develop ideas, recognise artistic connections
  • recognise and promote talents
  • recognise social changes and the zeitgeist
  • recognise national and international developments in the industry
  • to promote the development of one's own personality
  • analyse and adopt innovations in the media industry
  • be interested in the financial, entrepreneurial and organisational aspects of film and media production
  • become and be a team player, high social and emotional intelligence
  • develop leadership skills
  • communication skills

WHICH PROFESSIONS CAN I WORK IN?

  • producer
  • associate producer
  • showrunner
  • executive & line producer
  • production manager
  • production manager
  • editor for broadcasters and streamers
  • world sales manager
  • film distributor
  • film funding
  • screenwriter
  • lecturer

Structure of the study programme

In order to fulfil today's modern image of a producer, a broad-based education and personalities that develop individually during their studies are required.

This opportunity can be seized during the four years of the programme. Each year of the programme has a theme. In the 1st year it is "Self-discovery and orientation", in the 2nd year "Consolidation", in the 3rd year "Specialisation" with various compulsory elective subjects, in the 4th year "Professionalisation".

Course of studies

Year 1

Self-discovery and orientation

Imparting a basic understanding of the production lifecycle from material identification and development, financing, pre-production and production, through to post-production and marketing/analysis. Based on fictional long and short formats as well as serial, documentary, advertising and hybrid formats.

Case studies and inspiring excursions loosen up the programme and promote cross-format and cross-genre thinking. Do-it-yourself (DIY) units encourage students to apply and implement what they have learnt.

Year 2

Craft and specialisation

The production-specific craft is developed and expanded. In the subject areas of personality, development, physical production, markets, legal and business affairs, and budget and financing, knowledge and insights are passed on by lecturers from the national and international industry. The focus here is on individual personal development.

In cross-departmental teaching units, students develop, discuss and give feedback together.

Year 3

"Specialisation, professional orientation, in-depth study"

The entire 3rd year is taught in English to reflect the internationalisation of the media industry.

The aim of the 3rd year is:
To impart specialised and in-depth basic production-specific basic knowledge and management skills.


The teaching structure consists of:

1. DEVELOPMENT
Contents: pitching, negotiation, script doctoring, adaptation, film criticism/film analysis, factual storytelling, interactive storytelling, serial dramaturgy
2. PHYSICAL PRODUCTION
Contents: talent agencies, post-production in an international context, games, apps, animation
3. MARKETS
Contents: marketing, audience development, cross-media, self-distribution, tubes, festivals
4. LEGAL & BUSINESS AFFAIRS
Contents: communication, leadership, management, business planning incl. business plan creation, coaching, innovation
5. BUDGET & FINANCING
Contents: equity, tax incentives / tax shelter, international film funds, completion bond, banking and cash flow

As part of PERSONAL DEVELOPMENT, further training and coaching is offered in the areas of communication, innovation and conflict management as well as team leadership and negotiations.

In addition, the specialisations chosen at the end of the 2nd year of studies are offered:

- Executive & Line Producing (ELP) is aimed at students from the 3rd-4th year of studies (compulsory elective) and career changers from the film and media industry who can enter the production degree programme in the 3rd year with the elective subject ELP. This specialisation provides a far-reaching insight into the production craft of internationally working line producers, business executives and commercial producers who operate at the interfaces between the creative, economic, organisational and legal aspects of a film production. The ability to manage processes and people in agile project structures is crucial here.
The curriculum is implemented with high-calibre players from the national and international production landscape as lecturers. The fundamental focus is on exclusive practical relevance, in particular through case studies of international high-end formats and selected excursions. Students also receive individual support from outstanding personalities from the media industry in a two-year mentoring programme.

- International Producing is aimed at 3rd-4th year Production students (compulsory elective) and takes place together with the Atelier Ludwigsburg-Paris, among others. The course provides an overview of international financing, production and marketing structures and prepares participants specifically for co-productions with partners abroad. European productions are dealt with primarily, with the evaluation focussing on international case studies.

- Series Producing: In this specialisation (compulsory elective for Screenwriting and Production in the 3rd/4th year of studies), students not only conceive series, but also produce them. The course prepares students specifically for the requirements of modern series production for television and the internet.

In addition, students have the opportunity to switch to the Film and Media course of studies after the foundation course and specialise in Animation/Effects Producing, Transmedia/Games Producing or Advertising Film Producing. Lessons and project supervision then take place in the respective Animation, Interactive Media or Advertising Film department.

Year 4

Preparation of a diploma thesis / diploma film, market orientation
(job search)

The aim is:
To develop and produce a diploma thesis / diploma film.
To promote national and international market orientation.

Supervision of the diploma project and individual counselling for the transition into the world of work are in the foreground.

The division into compulsory elective subjects remains in place.
Further interdisciplinary teaching will take place.
In addition, seminars and workshops are offered with a focus on professionalisation and business start-ups.

PROFESSIONALISATION:
- Pitching, presentation
- coaching
- leadership
- Alternative job profiles (editing, distribution, sales,...)
- Sales, marketing and merchandising

BUSINESS START-UP:
- Start-up consulting for new business models in the media landscape
- business planning
- Founding a company
A Recruiting Day gives degree students the opportunity to pitch themselves, a project, a substance idea or a business idea.
Co-operations with start-up platforms and start-up accelerators are being sought.

Diploma project

The diploma revolves around the central idea:

DIPLOMA
Completion and submission of the diploma film.
Completion and submission of the diploma project folder.
Preparation for the final examination.

Further individual supervision of students and discussion of career goals.

Undergraduate studies

First year

Year 1

Self-discovery and orientation

Imparting a basic understanding of the production lifecycle from material identification and development, financing, pre-production and production, through to post-production and marketing/analysis. Based on fictional long and short formats as well as serial, documentary, advertising and hybrid formats.

Case studies and inspiring excursions loosen up the programme and promote cross-format and cross-genre thinking. Do-it-yourself (DIY) units encourage students to apply and implement what they have learnt.

Undergraduate studies

Second year

Year 2

Craft and specialisation

The production-specific craft is developed and expanded. In the subject areas of personality, development, physical production, markets, legal and business affairs, and budget and financing, knowledge and insights are passed on by lecturers from the national and international industry. The focus here is on individual personal development.

In cross-departmental teaching units, students develop, discuss and give feedback together.

Graduate studies

Third year

Year 3

"Specialisation, professional orientation, in-depth study"

The entire 3rd year is taught in English to reflect the internationalisation of the media industry.

The aim of the 3rd year is:
To impart specialised and in-depth basic production-specific basic knowledge and management skills.


The teaching structure consists of:

1. DEVELOPMENT
Contents: pitching, negotiation, script doctoring, adaptation, film criticism/film analysis, factual storytelling, interactive storytelling, serial dramaturgy
2. PHYSICAL PRODUCTION
Contents: talent agencies, post-production in an international context, games, apps, animation
3. MARKETS
Contents: marketing, audience development, cross-media, self-distribution, tubes, festivals
4. LEGAL & BUSINESS AFFAIRS
Contents: communication, leadership, management, business planning incl. business plan creation, coaching, innovation
5. BUDGET & FINANCING
Contents: equity, tax incentives / tax shelter, international film funds, completion bond, banking and cash flow

As part of PERSONAL DEVELOPMENT, further training and coaching is offered in the areas of communication, innovation and conflict management as well as team leadership and negotiations.

In addition, the specialisations chosen at the end of the 2nd year of studies are offered:

- Executive & Line Producing (ELP) is aimed at students from the 3rd-4th year of studies (compulsory elective) and career changers from the film and media industry who can enter the production degree programme in the 3rd year with the elective subject ELP. This specialisation provides a far-reaching insight into the production craft of internationally working line producers, business executives and commercial producers who operate at the interfaces between the creative, economic, organisational and legal aspects of a film production. The ability to manage processes and people in agile project structures is crucial here.
The curriculum is implemented with high-calibre players from the national and international production landscape as lecturers. The fundamental focus is on exclusive practical relevance, in particular through case studies of international high-end formats and selected excursions. Students also receive individual support from outstanding personalities from the media industry in a two-year mentoring programme.

- International Producing is aimed at 3rd-4th year Production students (compulsory elective) and takes place together with the Atelier Ludwigsburg-Paris, among others. The course provides an overview of international financing, production and marketing structures and prepares participants specifically for co-productions with partners abroad. European productions are dealt with primarily, with the evaluation focussing on international case studies.

- Series Producing: In this specialisation (compulsory elective for Screenwriting and Production in the 3rd/4th year of studies), students not only conceive series, but also produce them. The course prepares students specifically for the requirements of modern series production for television and the internet.

In addition, students have the opportunity to switch to the Film and Media course of studies after the foundation course and specialise in Animation/Effects Producing, Transmedia/Games Producing or Advertising Film Producing. Lessons and project supervision then take place in the respective Animation, Interactive Media or Advertising Film department.

Graduate studies

Fourth year

Year 4

Preparation of a diploma thesis / diploma film, market orientation
(job search)

The aim is:
To develop and produce a diploma thesis / diploma film.
To promote national and international market orientation.

Supervision of the diploma project and individual counselling for the transition into the world of work are in the foreground.

The division into compulsory elective subjects remains in place.
Further interdisciplinary teaching will take place.
In addition, seminars and workshops are offered with a focus on professionalisation and business start-ups.

PROFESSIONALISATION:
- Pitching, presentation
- coaching
- leadership
- Alternative job profiles (editing, distribution, sales,...)
- Sales, marketing and merchandising

BUSINESS START-UP:
- Start-up consulting for new business models in the media landscape
- business planning
- Founding a company
A Recruiting Day gives degree students the opportunity to pitch themselves, a project, a substance idea or a business idea.
Co-operations with start-up platforms and start-up accelerators are being sought.

Diploma stage

Diploma project

Diploma project

The diploma revolves around the central idea:

DIPLOMA
Completion and submission of the diploma film.
Completion and submission of the diploma project folder.
Preparation for the final examination.

Further individual supervision of students and discussion of career goals.

Lecturers

Our curriculum is realised with high-calibre players from the national and international production landscape as lecturers.

Lecturers

Prof Gloria Burkert

Senior Lecturer

Lecturers

Marjorie Bendeck

Senior Lecturer

Lecturers

Jean-Young Kwak

Senior Lecturer

Lecturers

Oliver Dressnandt

Lecturer

Lecturers

Felix Eisele

Lecturer

Lecturers

Tobias Pausinger

Lecturer

Lecturers

Prof Christian Rohde

Lecturer

Impressions

Application information and documents

APPLICATION

You can find detailed information on the application process and the entrance exam here. We look forward to receiving your submission!

Application deadline: 15 February

Do you have further questions about the programme?

The Office of Student Affairs will be happy to answer your questions.